The painting, together with the Prayer in the Garden and the Crucifixion, was executed by Perugino for the Ingesuati convent that was outside the city
The panel is the third painting realized by Perugino for the friars who lived in the convent of the Ingesuati outside the walls of the
The work was commissioned to Perugino by the widow of the Venetian merchant Giovanni di Pietro Martini, Cornelia Salviati, and their son Roberto, to be
The painting, acquired by the Galleria degli Uffizi in 1904, was commissioned by the Ingesuati Convent of San Giusto fuori le mura of Florence for
Pietro Vannucci, having reached a remarkable fame thanks to his presence at the Sistine Chapel in the Vatican, received a commission outside central Italy: Cardinal
The table repeats a recurring subject in Perugino’s production, replicated on several occasions, also with the help of his workshop, and it is generally considered
The panel, depicting the Assumption of the Virgin Mary in heaven, was conceived from one of the largest and most prestigious altarpieces of Renaissance Florence,
The large circular stained glass window showing the Pentecost is placed in the counterfaçade of the Augustinian Basilica of Santo Spirito in Florence. The composition
In 1990 this painting was brought back to Italy thanks to the Cassa di Risparmio of Florence, who bought it from a London antiques market;
The fresco occupies the entire wall of the convent of the Franciscan tertiaries, including some women of high social abstraction, which since 1430 have been
