Portrait of Lorenzo di Credi – National Gallery of Art – Washington
The work dates back to 1488 and portrays Lorenzo di Credi, a pupil of Verrocchio like Perugino himself; the painter is depicted in the foreground,
The work dates back to 1488 and portrays Lorenzo di Credi, a pupil of Verrocchio like Perugino himself; the painter is depicted in the foreground,
The Crucifixion with Saints, realized in 1485 for a chapel in the Dominican church of San Gimignano commissioned by Bartolomeo di Bartolo, was purchased in
Standing out against a dark background, this detailed portrait depicts an anonymous young man: his appearance presents details of strong realism, such as the slight
Commissioned by Isabella D’Este for her studiolo in 1497, the work shows an allegorical-mythological subject, the Combat between Love and Chastity: the painting was the
The panel, realized around 1500 and 1515 in collaboration with one of his assistants, Giovanni Battista Caporali, was originally commissioned to Perugino by the Augustinian
The canvas was probably a processional banner, commissioned to Perugino by the Confraternity of San Girolamo in Perugia after 1512, since no mention of the
The work repeats a recurring scheme in the works of Perugino from the same subject, representing Saint Jerome as a hermit, kneeling in front of