Lamentation over Dead Christ – Palazzo Pitti – Florence
The Lamentation over Dead Christ in 1509 was mentioned at the church of Santa Chiara in Florence, placed above the second altar on the right;
The Lamentation over Dead Christ in 1509 was mentioned at the church of Santa Chiara in Florence, placed above the second altar on the right;
The saint is identifiable with Mary Magdalene only thanks to the gold inscription on the edge of the dress, consisting of a fashionable bodice, green
The identity of the boy is unknown: on the back of the panel, a long writing almost completely abraded recalls the painting as an effigy
The painting has been part of the collection of Cardinal Leopoldo de’ Medici, and it was attributed to the hand of Raphael in the past;
The painting, together with the Prayer in the Garden and the Crucifixion, was executed by Perugino for the Ingesuati convent that was outside the city
The panel is the third painting realized by Perugino for the friars who lived in the convent of the Ingesuati outside the walls of the
The work was commissioned to Perugino by the widow of the Venetian merchant Giovanni di Pietro Martini, Cornelia Salviati, and their son Roberto, to be
The painting, acquired by the Galleria degli Uffizi in 1904, was commissioned by the Ingesuati Convent of San Giusto fuori le mura of Florence for
The panel, depicting the Assumption of the Virgin Mary in heaven, was conceived from one of the largest and most prestigious altarpieces of Renaissance Florence,
Saint Anthony of Padua (Florence) The painting, which represents only one figure of Saint, Anthony of Padua, is located in the conventual part of the