Penitent Saint Jerome – Hampton Court – London
Dating back to about 1490, the work depicts Saint Jerome kneeling in the foreground, while he’s slightly turned to the right with the expressive gaze
Dating back to about 1490, the work depicts Saint Jerome kneeling in the foreground, while he’s slightly turned to the right with the expressive gaze
The fresco, originally executed in the Oratorio della Confraternita dell’Annunziata in Fontignano, was detached and transferred to a triangular canvas. Realized in 1523, it is probably
The four panels currently preserved at the Art Institute in Chicago, along with another depicting the Resurrection, now in the Metropolitan Museum of Art in
The work dates back to 1505 and was probably originally part of a larger canvas. The fragment is in fact evidently cut out and represents
The work, dating back to the first decade of the sixteenth century, was acquired in 1947 by the Museu de Arte in San Paolo in
The panel, realized around 1500 and 1515 in collaboration with one of his assistants, Giovanni Battista Caporali, was originally commissioned to Perugino by the Augustinian
The dating of the work, which was recorded at the sacristy of the church of Sant’Ercolano in Perugia in 1784, is not certain; the painting
The painting was conceived as a processional banner and it was originally used during Lenten processions. The banner was made for the Franciscan convent of
