Madonna and Child between Saint Jerome and Saint Peter – Musée Condé – Chantilly
The panel, dating to about 1490, was realized in collaboration with Andrea D’Assisi, called L’Ingegno, who according to Vasari was the best student of Perugino.The
The panel, dating to about 1490, was realized in collaboration with Andrea D’Assisi, called L’Ingegno, who according to Vasari was the best student of Perugino.The
The two panels, depicting Saint John the Baptist and Saint Lucy (or Saint Illuminata from Todi) were part of one of the largest and most
The small panel, along with four other panels depicting episodes from the life of Christ, currently preserved at the Art Institute of Chicago, once constituted
The panel was originally conceived as predella panel for the Pala Tezi, that Perugino realized in about 1500 for the Chapel of the Tezi family
The panel depicting Saint Bartholomew was part of the Polyptych of Sant’Agostino, a majestic two-faced altarpiece commissioned by the Augustinian friars and realized in two
The two tables depict respectively the Resurrection and the Baptism of Christ; given the symmetrical construction of the compositions and the small size, they were
Saint Philip Benizi, the most important among the seven founders of the Order of the Servites is portrayed by Perugino holding a lily, symbol of
This painting is commonly recognized by critics as one of Perugino’s masterpieces; actually, some hypothesis attribute the execution of the work to one of his
The small painting was part of an unidentified predella, probably executed after a commission from the Franciscan sphere, given the scene on the background showing
Pietro Vannucci, having reached a remarkable fame thanks to his presence at the Sistine Chapel in the Vatican, received a commission outside central Italy: Cardinal
