Adoration of the Magi, Baptism of Christ, Resurrection – Musée des Beaux-Arts – Rouen
The three panels were part of the predella of the Polyptych of San Pietro, and according to the reconstruction were originally interspersed with the figures
The three panels were part of the predella of the Polyptych of San Pietro, and according to the reconstruction were originally interspersed with the figures
Conceived as the central compartment of the Polyptych of San Pietro, the scene portrays in the upper register Jesus in an almond of cherubim as
The two tondos were originally part of the dismembered Polyptych of San Pietro, and, according to the reconstructions, were located on the sides of the
The work, which currently looks like a tondo even though its original shape was square or rectangular, comes from the double-sided polyptych conceived for the
The work, tranferred to France during the Napoleonic requisitions and currently preserved at the Musée des Beaux-Arts in Lyon, was part of the Polyptych of
The work was conceived as part of the Polyptych of Sant’Agostino, a majestic two-faced altarpiece commissioned by the Augustinian friars and realized in two phases
The work dates back to 1505, and the composition vaguely recalls the famous Virgin of the Rocks by Leonardo da Vinci: the Madonna is in
The work, which dates back to about 1500/1502, shows the family of Mary, who is at the center of the composition, sitting on a throne
The painting had been considered a masterpiece by Perugino for a long time, however it was probably executed together with a collaborator (maybe Andrea d’Assisi
The work shows a recurring subject in Perugino’s works: the martyrdom of Saint Sebastian, a Roman soldier condemned for his Christian faith.The saint is exactly